15 January 1871 • Buffalo, N.Y.
(MS: MoSW, UCCL 00559)
To the Editor of Every Saturday:1
You stated, two or three weeks ago, ‸in a recent issue,‸ that I have written “a feeble imitation of Bret. Harte’s Heathen Chinee,” in the shape of a certain rhymes about a euchre game that was turned into poker & a victim betrayed into betting his all on three aces when there was a “flush” out against him. Will you please correct your misstatement, inasmuch as I did not ‸write‸ the wr rhymes referred to, to nor have anything whatever to do with suggesting, inspiring, or producing them? ‸They were the work of a writer who has for years signed himself “Hi. Slocum.”‸ I have had several applications from responsible publishing houses to furnish a volume of poems after the style of the “Truthful James” rhymes. I burned the letters without answering them, for I am not in the imitation business.
Yours Truly
Sa Mark Twain.
Buffalo, Jan. 15.2
Explanatory Notes
the poem entitled “The Three
Aces,” with Mark Twain’s signature
attached as author, appeared in several of our New York
exchanges. That was our only authority for attributing the
verses to him. We are very glad that he did not write them, for
the rhymes lack that freshness and brilliancy which Mark Twain
has taught us to expect in his writings. (Aldrich 1871) Some newspapers did assume that Hy Slocum and Carl
Byng (author of “The Three Aces”) were
alternative pseudonyms for Mark Twain, and therefore reprinted their
sketches from the Buffalo Express as if they
in fact were his. For example, see: “A Humorous View of
the Farmers’ Club. Mark Twain’s Report of the
Proceedings,” Pittsburgh Gazette,
7 Dec 70, 2, reprinting Byng 1870; and “Mark Twain on
Yaller Dogs,” San Francisco Golden
City, 19 Dec 69, 2, reprinting Slocum 1869.
Source text(s):
Previous publication:
L4, 304–305; “Mark Twain Says He Did
n’t Do It,” Every Saturday 2 (4
Feb 71): 118; Greenslet, 95; AAA/Anderson 1937, lot 75, excerpts.
Provenance:in the collection of Albert Bigelow Paine when he died in 1937; donated to
MoSW about 1960 by the estate of
George N. Meissner.