In Bed
Monday Night.
Livy darling, I got your letter this evening, though I looked for it this morning—I had forgotten that you told me to expect the letters in the evening hereafter. Yes, dearie, I will leave this letter unsealed until I get a Salutatory to send to you in the morning.1
I have got an answer from the Dead Canary, which he says requires no answer.2 He is torn with anger, & impugns my veracity in saying I know nothing about poetry—& to [ m ] prove the falsity of my word, does me the compliment to refer me to my remarks about Galilee, where I have written it.3 Fool, not to see that I meant I kn was not a capable judge of his kind of poetry. But wasn’t it rich & unconscious egotism in him to think I merely wished to avoid saying how beautiful his poetry was. And he says he asked me for a sarcasm & got it!—the shrewdest sarcasm I ever penned! That is the rankest egotism I ever penned heard of., & the sim most innocent. I meant it for a solemn truth when I said his poetry was bad, but he cannot believe it. I do so long to drop him a line that would give him exquisite anguish—but I can’t waste powder on such small game as that. He threatens to destroy me with a by means of a withering review of my book in his little one-horse weekly paper which a couple of hundred Mohawk Dutchmen spell their way through once a week. This fellow’s idea of his importance trenches upon the sublime. In all my life I never saw anything like it. It is the calmest, serenest, asinine iron-clad, asinine complacency the world has ever produced.4 Do you know, that creature is [ oz oozing] his poetical drivel from his system all the time. No how subject, however trivial, escapes him. And he dotes upon—he worships—he passionately admires, every sick rhyme his putrid brain throws up in its convulsions of literary nausea. He cuts it out of the paper—he prints it on dainty strips of fine white paper, along with the reminder that “It will be remembered that Mr. Elliott is the author of Bonnie Eloise,” “the Dead Canary,” “The Disconsolate Sow”5 &c &c.—& he prints it again on a large sheet of white satin, & gilds it, & puts it in a gold frame & hangs it up in his parlor, with the date when the abortion was produced, attached. And behold, he invites strangers to his house under pretense of treating them to a pleasant dinner, but in reality to bore them with this awful bosh, this accumulation of inspired imbecility, this chaos of jibbering idiocy wro tortured into rhyme. He is the funniest ass that brays in metre this year of our Lord 1869.
I am rid of him now—but Livy, he did follow me up with amazing diligence. He wrote 3 times for an opinion of the Dead Canary, you remember—& several times about that whining summer-complaint of a song about some Mohawk wench’s golden hair—& some four or five times concerning that wail long-metre wail about a Blush Rose.6 I have suffered all this ◇ from that man, & yet he is going to swoop down on me with the Fort Plain Register & gobble me off the face of the earth. The unkindness of this person is more than I can bear, I am afraid. Still, I can bear his unkindness better than I can his poetry. Though sooth to say, it is equal to anything I have every seen in the death column of the Philadelphia Ledger.7 [(Why didn’t I think of that sooner, & publish it in answer to his request for a sarcasm? That one would have been recognized as exquisitely felicitous.}] Poor wretch, he wanted a compliment so badly—& I had the heart to refuse him. But he didn’t say he did—he only shows now that he did.
But honey, I have used up all my paper again. The Cincinnati, Toledo & other western papers speak as highly of the books as do the New York & Philadelphia papers.8
But I must kiss my darling good night, now, & hope to touch her dear lips in reality within 4 or 5 days. The peace of God be & abide with you now & always, my angel-revelation of the b Better Land.
Sam.
[in ink:] 9
{graphic group: 3 diagonal slash inline right}
[in pencil:] Livy dear, I am hav exercising an influence of on Larned I think—he is writing his best, & does it better & better—his article “Found Drowned,” in [ yester ‸to‸day’s] paper, is a rare gem—simply needs a trifline of polishing in one or two places.10
[in margin of page 1:] Send this letter back to me, little sweetheart—I’ll have use for it.
[enclosure:]
[in ink:] Miss Olivia L. Langdon | Elmira | N. Y. [postmarked:] buffalo n. y. sep 7 [docketed by OLL:] 115½ | “Bonnie Eloise”
Explanatory Notes | Textual Commentary
ELOQUENT EXTRACT.
When, during his pilgrimage through the Holy Land “Mark Twain” sat outside the tent, one night, alone under
the star-lit vault of heaven and framed the beautiful metaphors in
the following paragraph—extracted from his
“Innocents Abroad”—he
“builded better than he knew:” “Night is the time to see Galilee. Genessaret under these
lustrous stars, has nothing repulsive about it. Genessaret with the
glittering reflections of the constellations flecking its surface,
almost makes me regret that I ever saw the rude glare of day upon
it. Its history and its associations are its chiefest charm, in any
eyes, and the spells they weave are feeble in the searching light of
the sun. Then, we scarcely feel the fetters.
Our thoughts wander constantly to the practical concerns of life,
and refuse to dwell upon things that seem vague and unreal. But when
the day is done, even the most unimpressible must yield to the
dreamy influences of this tranquil starlight. The old traditions of
the place steal upon his memory and haunt his reveries, and then his
fancy clothes all sights and sounds with the supernatural. In the
lapping of the waves upon the beach, he hears the dip of ghostly
oars; in the secret noises of the night he hears spirit voices; in
the soft sweep of the breeze, the rush of the invisible wings.
Phantom ships are on the sea, the dead of twenty centuries come
forth from the tombs, and in the dirges of the night-wind the songs
of old forgotten ages find utterance again.”
Let wayward fortune hide her smile, Come sorrows when they will; We’ve always something left beside To make us happy still; For deep within the heart’s
recess— Through all its joys and woes— There blooms, in charming loveliness, The modest hued blush rose!
Chorus: The tender thoughts of one alone, That in its blossoms dwell, I could reveal; but yet, but yet, I do not care to tell!
Clemens had remarked upon this “long-metre wail” in the Buffalo Express of 26 August: “We acknowledge the receipt of a song entitled, ‘The Blush Rose,’ from the author, Mr. George W. Elliott, associate editor of the Fort Plain Register. He predicts that it will have a popularity second to none in his list of published songs. Mr. Elliott is the author of ‘Bonnie Eloise,’ and several other melodies of similar character, which have been widely known in their day” (SLC 1869).
Source text(s):
Previous publication:
L3, 335–339; LLMT, 359–60, brief paraphrase.
Provenance:see Samossoud Collection, p. 586.
Emendations and textual notes:
m • [partly formed]
oz oozing • ozozing
(Why ... felicitous.} • [sic]
dS • [‘p’ partly formed]
yester ‸to‸day’s • yester- | ‸to‸day’s